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Beneath the concrete

Updated: 5 days ago

The beauty of urban life lies not in symmetry, but in its imperfection. Every moment is fleeting, every movement chaotic, and everything shifts alongside something else that’s also shifting. We build, we rebuild, we tear down, and then we repeat. It’s a kind of rhythm that keeps the city alive, constantly in flux. There’s no final form, no pause for reflection. The city is always becoming, never finished.


Cities are man-made, and their imperfection is part of their appeal. There’s a strange poetry in their disorder, in the way buildings rise and fall, streets wear down and get repaved, storefronts open, close, and open again. Every mark we leave is a testament to our restless nature, our hunger to keep moving, to keep changing. It’s as if we know, deep down, that there’s no time for perfection. Perfection requires stillness, and cities don’t stop long enough for that.


Nature, though, is different. Nature does not rush. She takes her time, because she has all the time in the world. Left to her own devices, she builds ecosystems that hum with precision, structures that seem both fragile and eternal. A forest, untouched, knows how to grow without plans or blueprints. A river carves its own path, knowing instinctively where to flow. Where we see chaos, nature finds order. In her hands, everything is balanced. Her systems are whole, interdependent and perfect.


But we can’t live like that. We don’t know how. We measure our days in deadlines, our lives in years. We construct, we destroy, constantly hunted by the clock. Where nature has patience, we have urgency. In cities, there’s simply no time for perfection.


The city, then, becomes our playground. It’s a space where we can try and fail, innovate and forget. It’s where ideas are born, only to be abandoned. It’s messy, imperfect, and that’s exactly why it’s ours. It’s human, a product of millions of different thoughts, each one colliding with the next. The streets and buildings bear the marks of these collisions. Graffiti on the walls, cracks in the pavement, a forgotten advertisement peeling off the side of a bus stop—all signs that someone was here, someone left their imprint, and moved on.

That's exactly the kind of moment my work is about.


Those marks are what fascinate me the most. They are the signs of life, both past and present. They carry with them a sense of nostalgia — proof that someone stood here once, dreamed here, lived here. At the same time, they are filled with optimism, with the possibility of what’s still to come. The city is never stagnant. Where one thing moves out, another moves in. Where one dream dies, another is born. That erratic movement is what keeps it alive.


Maybe that’s why I find comfort in the city’s imperfection. It’s a reflection of us — imperfect, ever-changing, incomplete. We are always in motion, always trying to move forward, even when we don’t know where we’re going. The city mirrors that. Its streets are filled with ambition, with dreams still unfolding, with lives in the midst of becoming.


And yet, for all its noise and speed, the city cannot completely escape nature. She finds her way in, quietly, persistently. A tree grows through a crack in the sidewalk. Vines climb the side of an abandoned building. Birds nest in the eaves of high-rise apartments. The seasons change, no matter how many subway cars rumble beneath the surface. Nature waits. She knows that the city, for all its chaos, is still part of the earth. The same soil lies beneath the concrete. The same sky stretches above the skyscrapers. The city, like us, is rooted in something far older, far more patient than itself.


This is the balance we live in. We are caught between the rush of the city and the stillness of nature, between the drive to create and the quiet that lets things grow. We need both. The city is where we innovate, where ideas go to live and die. It’s where we try, fail, and try again. But nature is where we find the time to breathe, to remember that not everything is a race, that some things grow best when left alone.


The city’s beauty is inseparable from the beauty of nature. In the spaces between buildings, in the parks where trees have found a way to thrive, in the mornings when the sun breaks through the smog and lights up the streets, we are reminded that time still belongs to nature. She has not abandoned us, even here. And perhaps, by looking for her presence in the most unexpected places, we can find a kind of peace.


We live, as always, between two worlds: one built by human hands, the other by something older, wiser, more patient. Both are flawed, and both are beautiful. Together, they form the landscape of our lives—imperfect, ever-changing, and full of possibility.




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